Noah Hale
Our Aria
I
If the ear is the shadow of the voice
We loom on emerald
Bossanovas of forearms
We do not die in vain
We stroke
The slow outdoor dysphoria
Of hawthorn
In the infinite queue of lilacs
We say things
They hurt us
We say
I love you
We say we need things
We see things and
We want them
In blue tenses of rain
A drugstore epiphany
In the mirror
Like a bicep
In the mirror
But we are the mutts of memory
Collateral to
The wrestler’s muscular coda, or
The taste of an eye for an eye in the rain
II
Skyclad
In the chronic striptease of kouroi
This
Is called a pilgrimage
Intravenous
Fuschia daylight
So heaven is a bird bespoken
To a lake
As it breaks into ephemera
In a penultimate installment
Of white moss
Dissolving slowly in the mouth
Sweeter than silk
Laundered in the language
Of velour
Like how thunderclouds
Cast shadows
On the upper thigh
Of vertigo
It can be this way forever
Interlocutor—
Miniscule stela of seasalt
Or eau de cologne
On a nerve.
III
To shingle purgatory, speak.
And we were neither tried nor true
But permanently pressed
Into an awakening of rings
Into the gross invertebrate of being
And the apparatus of rapture
Being folded into a column or a flag
Saying bring us this day
A more tenuous champion
Bring us this day even more
Sinew in the eye of the beholder
A tuft of headlights in the rotunda
As deliberate as a cairn
Or the looseleaf volcanology of
Branches seen through a rosario
Defibrillating the face of the angel
We climb out of
IV
Our sibylls are surrounded by
The doppler audio of clouds
By the rural hauteur of constellations
Their unembezzled echoes
Filling in the empty space
Ever since pessimism became a luxury
One long articulation of moth
Being bifurcated in a horoscope
Every time we use inertia
To mute the vein
To mutate ourselves into surplus
In order to endure the brute chiffonier of soul
Its contents. Intangible. Zeitgeist
A gist
V
But there’s majesty in waiting
Between the lyric and its endeavor
To recognize its crest
Because it’s vulnerable to be heard
To prepare the forest for nostalgia
In the alchemy of solitude
That rings the perihelion awake
And we know the pastoral is dead
As we shoulder the joyride
Heads held together, retrospective
In the rarest candor
Whenever the ear can pitch for itself.
Sturm und Drang
Finally the Enlightenment is over
Thank God
There’s windchill on the earth again
Its simile is plaster
And the iris stands on the countryside
Crimped by time
Where the aether spurts its solitaire
As we wait
Annually pent up in heavy cornucopias
And we wait
Since the heart’s allure lies in its tenses
Jealous of the future
Envy, said Henri Fuseli, blasts
The living
This endless retrograde of horns
Enters our words
If we were made ripe in our loneliness
We scoured it
And ripped the sphagnum off our eyes
And slept
At the black assembly of branches
Face-haunted
To bleed alone inside the sublime
Irrational
Failed sportsmen of expressionism,
We forfeit
To the staghounds and daffodils
Of vigor
We’re only approximately here
Throttling God
Choking on the horns of auroras
Their stonefruit.
Poem
This palimpsest is the skin trade
I provide for, an annual crackling
Into wonder—a laurel fixation
Hanging over the sternum
Like the gathering of straw.
A muscle surrounding an opening,
Bruised into pasture. Tawny in
The sky, meridianed into a dove.
Noah Hale lives and writes in Western Massachusetts. He is the author of the chapbook Werther Effects (Press Brake, 2026).