Stevie Belchak
ON IDLE
A strangeness touches my neck, and I am tasked with moving it.
I grow my hands from medium to large and then large to nothing.
What does it mean when dust is only half inside us?
What can it mean to make a soft ruin of a stamina?
Lately, I have been feeling otherwise frequent.
My list of to dos getting close to a kind of life.
I visit the town’s library with a piece of mail to prove I am planar.
That is, I am no longer delicious and sleeping.
Underneath the August warmth exists a kind of world order.
I float my palms open like a lotus and am born in an ear.
I lift my exoskeleton and think: enough.
I have been growing a practice of continuing genuflection.
In linen pants I buy off Amazon, I study pink clapboards and outsized palms.
I watch the trees’ nested shadows, how they split the sun.
On Whitehead, a home framed in sea-green balloons, fluorescent pink flamingos.
On Duval, a sickly man who sells cigars on the sidewalk and a sky that comes at me in sections.
It feels good to imagine a room and that room being painted in yellow.
It feels good to be reduced to a body.
INSTANCE RUBBING
I know I am fortunate
To be a body practicing
A body
Know morning
How it is incongruous
In light
Rain
This writing is
About permanence
Maybe
Maybe dissolution
On our street
A man and a woman and a memory
Smelling of coconut sugar
Patchouli oil
Sea
It is almost impossible to believe
There is a connection in such
Momentary perfume
It is almost impossible to believe
I’d hate to spend another summer
Breathing
Under the palms
On the curb
A bottle of beer
Like a lukewarm heart
The aroma of urine
And orange peel about
A fence
I inhale the best part
And have a distant feeling regarding
Not wanting
To talk to God
Remembering a tube
Fondly slipping
A piece of the outside world inside
My vein
There is a story here I’ve written
Too many times
On my worst days
I feel a man
Cut below my stomach
With immaculate steel
Want to crouch down and
Soak my exquisite fingers in
The earth’s
Disintegrating soot
On better days
I swan arms like the cutaway walls they are
Exhale finely into these totaled ribs
Life has been kind
Of a let down
Of archival bone
Me desperately
Wanting to leave this simulation
Beautiful
And sad
I’ve come close but failed
To be the woman
With an accompanist
Feeding stray cats
See this
Rotten elegy to the night
My constant
Drafting
Of a looser train of rooms
Where am I even now
There is so little space
In my singular myth
I buy a cortadito
In a paper cup
Walk myself to the ocean
To watch its lights alternate
Green
Then red
Forgetting the disordered heart moving
Around in my chest
On Royal St.
Birds and feather
Intersect
Wire
A door swinging out
Into a full
Bleed of grass
Above
The blue-trazodone sky
Emptying into a blue wound
Like how this poem is
Being made
Under the score of my hands
Under the score of my hands
My uterus
Peeling back like an egg
Stevie Belchak is a poet, writer, and editor of blush lit. The author of State of My Undress (o-blek editions) and Holy Holy Holy (Metatron DigiPub), she was named a finalist for The International Metatron Prize (2024, 2022), Four Way Books' Levis Prize (2023), and Fonograf Edition's Inaugural Essay Contest (2023). Her work can be found in Antiphony, SARKA, Fence Streaming, The Denver Quarterly, Third Coast, Hobart Pulp––among others.